It’s my last week of teaching for the year, and I've been reflecting on the supplemental books that have been most successful with my elementary and early intermediate students this year. The new year can be a great time to start fresh: with new repertoire, new technical routines, or new creative challenges for our students.
As we prepare for the Spring semester and look forward to lessons resuming in January, I want to share nine collections I’ve been using with my students this year. Some are etudes based on specific technical patterns, others are solo repertoire books. Most of these are available through Piano Safari, though they can be used alongside any method book.
For reference, my elementary and early intermediate students are in Piano Safari Levels 1-3 and range from 2nd-7th grade.
If you're looking to refresh your teaching materials for January or add some variety to your studio library, I hope you'll find a few gems here that spark your interest.
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It’s my last week of teaching for the year, and I've been reflecting on the supplemental books that have been most successful with my elementary and early intermediate students this year. The new year can be a great time to start fresh: with new repertoire, new technical routines, or new creative challenges for our students.
As we prepare for the Spring semester and look forward to lessons resuming in January, I want to share nine collections I’ve been using with my students this year. Some are etudes based on specific technical patterns, others are solo repertoire books. Most of these are available through Piano Safari, though they can be used alongside any method book.
For reference, my elementary and early intermediate students are in Piano Safari Levels 1-3 and range from 2nd-7th grade.
If you're looking to refresh your teaching materials for January or add some variety to your studio library, I hope you'll find a few gems here that spark your interest.
I have a love/hate relationship with studio classes.
I love the idea of them, and I love being able to offer them to my students. But I’ve never found a structure or approach that works.
At the school where I teach, I’m limited to a classroom with a single piano, which means students have to take turns or do activities that don’t involve an instrument.
In addition, having a group of 6-8 students in a room together for 45-60 minutes (again, with one instrument) was challenging. It’s difficult to keep everyone engaged and focused, give directions, facilitate meaningful learning activities, and assess each student individually.
As an introverted teacher, it can feel a little chaotic and overwhelming.
This year, I was committed to figuring this out. I decided to offer more classes than last year, limit the number of students in each group, and plan more level-specific musicianship activities.
Today, I’m sharing a behind-the-scenes look at one of my studio classes from this month and as always, a few things I’m experimenting with this year.
Field Notes on Music Teaching & Learning
It’s my last week of teaching for the year, and I've been reflecting on the supplemental books that have been most successful with my elementary and early intermediate students this year. The new year can be a great time to start fresh: with new repertoire, new technical routines, or new creative challenges for our students.
As we prepare for the Spring semester and look forward to lessons resuming in January, I want to share nine collections I’ve been using with my students this year. Some are etudes based on specific technical patterns, others are solo repertoire books. Most of these are available through Piano Safari, though they can be used alongside any method book.
For reference, my elementary and early intermediate students are in Piano Safari Levels 1-3 and range from 2nd-7th grade.
If you're looking to refresh your teaching materials for January or add some variety to your studio library, I hope you'll find a few gems here that spark your interest.
