One of the things I love about teaching is that we can draw on many disciplines to make our work better—art, psychology, learning theories, and even neuroscience. Recently, I’ve been reading about what brain research can tell us about practicing and how we learn, and it’s fascinating.
Welcome back to our 2-part series on practicing.
In part 1, we talked about the art of practicing. I shared what I’m learning from Madeline Bruser’s book, The Art of Practicing, and how I’m carrying these concepts and strategies into my practice sessions and studio.
In this episode, part 2, we’ll explore Molly Gebrian’s book, Learn Faster, Perform Better. This book is all about the neuroscience of practicing: how we learn, process, and retain information. If you’ve been reading along with us in the Musician & Co. Book Club, you likely have some insights of your own, but I wanted to share what stood out to me and how it’s impacting my practicing and my teaching.
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One of the things I love about teaching is that we can draw on many disciplines to make our work better—art, psychology, learning theories, and even neuroscience. Recently, I’ve been reading about what brain research can tell us about practicing and how we learn, and it’s fascinating.
Welcome back to our 2-part series on practicing.
In part 1, we talked about the art of practicing. I shared what I’m learning from Madeline Bruser’s book, The Art of Practicing, and how I’m carrying these concepts and strategies into my practice sessions and studio.
In this episode, part 2, we’ll explore Molly Gebrian’s book, Learn Faster, Perform Better. This book is all about the neuroscience of practicing: how we learn, process, and retain information. If you’ve been reading along with us in the Musician & Co. Book Club, you likely have some insights of your own, but I wanted to share what stood out to me and how it’s impacting my practicing and my teaching.
Earlier this month, I hosted my 14th studio piano recital. There’s always so much that goes into planning and preparing for an event like this:
Choosing repertoire
Booking the venue
Polishing memory
Emailing parents
Practicing “piano bows”
Coordinating with the facilities manager and the piano tuner
Borrowing percussion instruments from the music teacher
Scheduling duet and ensemble rehearsals
Finalizing and printing programs
Planning a reception
We spend months learning the music and practicing performing. What happens if you play a wrong note or miss a key change? What happens if you forget the repeat or play the first ending twice?
We discuss arm movement and phrase shapes, articulation, and projection, and how it feels and sounds different in the big theater vs. the classroom where we have our lessons. We listen and observe.
Today, I’m sharing my own recap and reflection on this year’s recital—how it went, what I learned, what I observed, and how it’s shaping my teaching practice for the year ahead.
Field Notes on Music Teaching & Learning
One of the things I love about teaching is that we can draw on many disciplines to make our work better—art, psychology, learning theories, and even neuroscience. Recently, I’ve been reading about what brain research can tell us about practicing and how we learn, and it’s fascinating.
Welcome back to our 2-part series on practicing.
In part 1, we talked about the art of practicing. I shared what I’m learning from Madeline Bruser’s book, The Art of Practicing, and how I’m carrying these concepts and strategies into my practice sessions and studio.
In this episode, part 2, we’ll explore Molly Gebrian’s book, Learn Faster, Perform Better. This book is all about the neuroscience of practicing: how we learn, process, and retain information. If you’ve been reading along with us in the Musician & Co. Book Club, you likely have some insights of your own, but I wanted to share what stood out to me and how it’s impacting my practicing and my teaching.