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First Person Present
Hewes House
5 episodes
5 days ago
Two writers. A home studio. Questions from people who are stuck, spiraling, or just trying to finish the damn thing. Josh Boardman and Dasha Sikmashvili answer real questions about craft, revision, and the writing life. From seventh-draft despair to penny-a-word markets, these conversations feel less like a workshop and more like eavesdropping on two friends who know their way around a manuscript. Expect literary references, puppy videos, and tangents about furniture shopping. Because that's how writers actually talk about writing. Submit your questions: podcast@heweshouse.com
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All content for First Person Present is the property of Hewes House and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Two writers. A home studio. Questions from people who are stuck, spiraling, or just trying to finish the damn thing. Josh Boardman and Dasha Sikmashvili answer real questions about craft, revision, and the writing life. From seventh-draft despair to penny-a-word markets, these conversations feel less like a workshop and more like eavesdropping on two friends who know their way around a manuscript. Expect literary references, puppy videos, and tangents about furniture shopping. Because that's how writers actually talk about writing. Submit your questions: podcast@heweshouse.com
Show more...
Books
Arts
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Table Grapes
First Person Present
31 minutes 45 seconds
1 month ago
Table Grapes

Episode Description

What do psychedelic concert visuals, furniture shopping, and Raymond Carver's comma obsession have in common? They're all ways writers process the concept of spectacle—and avoid talking about revision while actually talking about revision the entire time.

From King Gizzard and the Lizard Wizard's mass hypnosis event to the masculine ambition of doorstop novels, Josh and Dasha explore what makes art spectacular and whether quiet, dialogue-driven stories can compete with literary behemoths like Moby Dick. Along the way, furniture becomes a metaphor for creative decision-making, and the eternal struggle between gut instinct and endless tinkering reveals itself in both interior design and sentence-level revision.

Then, addressing a vulnerable question from Table Grapes about writing difficult autobiographical material for YA audiences, we navigate the delicate balance between graphic honesty and age-appropriate storytelling, plus practical strategies for creating emotional distance from traumatic personal material—including the therapeutic power of puppy videos.


Links:

  • How Book Revision Is Like Buying New Furniture

  • King Gizzard and the Lizard Wizard

  • Forest Hills Stadium, Queens

  • Moby Dick by Herman Melville

  • Middlemarch by George Eliot

  • Anna Karenina by Leo Tolstoy

  • Edith Wharton

  • Raymond Carver’s “What We Talk About When We Talk About Love”

  • When Your Characters Break Free: Character Defamiliarization Techniques for Writing Trauma Fiction Safely

  • /r/writing

  • Too Cute on Animal Planet

  • Puppy videos for recovery


Theme music: “1982” by See Jazz

First Person Present
Two writers. A home studio. Questions from people who are stuck, spiraling, or just trying to finish the damn thing. Josh Boardman and Dasha Sikmashvili answer real questions about craft, revision, and the writing life. From seventh-draft despair to penny-a-word markets, these conversations feel less like a workshop and more like eavesdropping on two friends who know their way around a manuscript. Expect literary references, puppy videos, and tangents about furniture shopping. Because that's how writers actually talk about writing. Submit your questions: podcast@heweshouse.com