Welcome to the Fresh Flowers Podcast, hosted by Tayo and Q of The Ghetto Flower.
In this engaging and insightful podcast, renowned musician and artist, Jay $teez, delves into the importance of authenticity within the music industry. Join Jay as he shares his personal journey of embracing vulnerability and skipping therapy to create deeper and more meaningful music. With his unique perspective and experiences, Jay also discusses his latest project, Flex Now, Heal Later and offers valuable insights into the creative process. Tune in to gain a deeper understanding of the power of authenticity in music and how it can shape your own artistic expression.
The Fresh Flowers Podcast is a platform where artists and music lovers come together to celebrate and appreciate the artistry and talent that Chicago has to offer. Each episode brings you engaging conversations, exclusive interviews, and insightful discussions that showcase the diverse sounds and styles of the city's underground scene.
Stay tuned to discover the stories behind the art, gain unique perspectives from industry insiders, and explore the exciting collaborations that shape the Chicago creative landscape. Don't miss out on our enlightening conversations with talented creatives.
Apple: https://podcasts.apple.com/us/podcast/tgf-project-podcast/id1435114130
Spotify: https://open.spotify.com/show/1jaqB6RKffpzCvKHOC84GE?si=8UzvJTSgSHaI-tXn1RFLRg
Subscribe to The Ghetto Flower on YouTube: https://www.youtube.com/channel/UC_LSl0OB8zzkL-dJ3ZKqDvA
Check out more of The Ghetto Flower here:
https://www.theghettoflower.com
https://www.twitter.com/TheGhettoFlower
https://www.instagram.com/TheGhettoFlower
The Ghetto Flower was founded in 2017. It is a leading online publication and marketing agency that dives deep into the underground arts surrounding them. On The Ghetto Flower, you’ll find the latest in music news, in-depth interviews, and up-to-date content marketing focused on the subculture niche.
Michael “Trill” Tayo
instagram.com/trilltayo
twitter.com/trilltayo
Quinton “Q” Coleman