Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
In this episode, Mary interviews Louise Siddons about her involvement with communities in Michigan and Oklahoma, and across the pond in the UK. We'll also learn about her work developing and teaching the practice of “positional calling” for social dance, which has recently culminated in a new book, published through CDSS, called Dancing the Whole Dance: Positional Calling for Contra. In the interview Louise shares what it’s been like to step into a leading role in the discussion about positional calling, and how her personal experiences on and off the dance floor have shaped her approach to dance leadership.
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
