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From the Mic
Mary Wesley, CDSS
34 episodes
3 weeks ago
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Performing Arts
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Society & Culture,
Documentary
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All content for From the Mic is the property of Mary Wesley, CDSS and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
Show more...
Performing Arts
Arts,
Society & Culture,
Documentary
https://is1-ssl.mzstatic.com/image/thumb/Podcasts116/v4/95/4b/da/954bdac7-572f-da1c-2a41-47d0e278ee82/mza_13937279778380303273.jpg/600x600bb.jpg
Episode 14 - Steve Zakon-Anderson
From the Mic
1 hour 38 minutes 11 seconds
2 years ago
Episode 14 - Steve Zakon-Anderson
This month we talk to the wonderful Steve Zakon-Anderson. Steve began dancing and calling in New Hampshire and has been influenced by and influential to the New England dancing tradition. He’s written over 30 contemporary contra dances, many of which are used by callers around the country. In this episode he shares stories about the people and places that have shaped him as a caller and as a person, as well as some pretty deep thoughts about what this calling thing is all about. Enjoy!
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?