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From the Mic
Mary Wesley, CDSS
34 episodes
3 weeks ago
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Performing Arts
Arts,
Society & Culture,
Documentary
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All content for From the Mic is the property of Mary Wesley, CDSS and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
Show more...
Performing Arts
Arts,
Society & Culture,
Documentary
https://is1-ssl.mzstatic.com/image/thumb/Podcasts116/v4/95/4b/da/954bdac7-572f-da1c-2a41-47d0e278ee82/mza_13937279778380303273.jpg/600x600bb.jpg
Episode 15 - Luke Donforth
From the Mic
1 hour 40 minutes 6 seconds
2 years ago
Episode 15 - Luke Donforth
This month Mary is joined by longtime friend, collaborator, and fellow Vermont caller and choreographer Luke Donforth. They revisit memories and stories from the Burlington area Mad Robin Callers Collective in 2009 and dive into Luke's cross-country calling career. As a prolific, you could even say compulsive dance choreographer they also spend some time in his dance writing brain. Enjoy!
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?