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From the Mic
Mary Wesley, CDSS
34 episodes
4 weeks ago
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Performing Arts
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All content for From the Mic is the property of Mary Wesley, CDSS and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
Show more...
Performing Arts
Arts,
Society & Culture,
Documentary
https://is1-ssl.mzstatic.com/image/thumb/Podcasts116/v4/95/4b/da/954bdac7-572f-da1c-2a41-47d0e278ee82/mza_13937279778380303273.jpg/600x600bb.jpg
Episode 16 - Catherine Burns
From the Mic
1 hour 12 minutes 45 seconds
2 years ago
Episode 16 - Catherine Burns
Catherine Burns has been at the heart of the Ottawa contra dance scene for decades. Born in Switzerland to Canadian parents Catherine traveled the world in her youth then became the house caller for the Old Sod Folk Music Society when they started a dance in the late 90s. Since then, she’s been a steady presence in the Ottawa dance scene, helping to mentor new callers and shape a warm and welcoming community in her chosen home town.
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?