Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
Mary's guest this month is Susan Kevra, a dance caller, musician, and singer who makes her home in Nashville, Tennessee. Dancers on both sides of the Atlantic appreciate her diverse repertoire of singing squares, Western patter calls, contras, and English Country dances. She has also choreographed a number of well-loved contra and square dances. Susan has taught English Country dancing since the mid-1990s. Her experience as an English country dance clarinetist gives her a keen appreciation of the link between the music and the dance figures, something she brings to her teaching.
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
