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From the Mic
Mary Wesley, CDSS
34 episodes
4 weeks ago
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Performing Arts
Arts,
Society & Culture,
Documentary
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All content for From the Mic is the property of Mary Wesley, CDSS and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
Show more...
Performing Arts
Arts,
Society & Culture,
Documentary
https://is1-ssl.mzstatic.com/image/thumb/Podcasts116/v4/95/4b/da/954bdac7-572f-da1c-2a41-47d0e278ee82/mza_13937279778380303273.jpg/600x600bb.jpg
Episode 25 - Maia McCormick
From the Mic
1 hour 35 minutes 52 seconds
1 year ago
Episode 25 - Maia McCormick
Enjoy this month’s conversation with Maia McCormick, a contradance caller and choreographer based in New York City. Maia has called at festivals, weekends, and dance camps from coast to coast. As a choreographer, she strives to write dances that are fresh, yet idiomatic; as a caller, she is passionate about keeping the dance floor safe, comfortable, and connective.
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?