Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
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Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
This month, Mary interview the renowned George Marshall, known for his expertise in teaching and calling New England-style contra dances, which he has collected from across the country. He is praised for his ability to match music with dance and for his clear and engaging teaching style. As a talented musician, George plays the concertina and bodhrán, and has recorded on eight albums including the bands Swallowtail and Wild Asparagus. He also teaches a variety of couples dances, including Lindy/swing, Scandinavian, Cajun, and Zydeco.
From the Mic
Host Mary Wesley takes you behind the caller's mic to explore perspectives from the people who choose to stand in that curious place between the band and a roomful of dancers. Featuring conversations with callers of American social dance forms (contras, community dances, trad squares). Why do they do it? How did they learn? What is their role, on stage and off, in shaping our dance communities?
