There was a phony article going around that Jello Biafra was going to reunite with East Bay Ray and Klaus Flouride to once again be The Dead Kennedys. It's not true, but why do the DKS have such beef? Let's examine some of the feud with this Jello Biafra interview about the legal case involving a lawsuit between band members.
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The Dead Kennedys were one of the most influential punk bands of all time, blending politically charged lyrics with aggressive, fast-paced music that defined the hardcore punk scene of the late 1970s and 1980s. Formed in San Francisco in 1978, the band consisted of Jello Biafra (vocals), East Bay Ray (guitar), Klaus Flouride (bass), and Ted (Bruce Slesinger) on drums, later replaced by D.H. Peligro. Their music was a direct attack on corruption, hypocrisy, and the establishment, making them both loved and controversial.The Dead Kennedys released iconic albums such as Fresh Fruit for Rotting Vegetables (1980), Plastic Surgery Disasters (1982), and Frankenchrist (1985). Songs like "Holiday in Cambodia," "California Über Alles," and "Kill the Poor" became anthems of rebellion. However, their radical messages often led to backlash, including the infamous obscenity trial over the Frankenchrist album, due to the inclusion of artist H.R. Giger’s controversial poster "Penis Landscape."Despite their success, internal conflicts began to emerge, particularly between Jello Biafra and the rest of the band. In 1986, Dead Kennedys disbanded, but their legacy endured. However, the band’s legal battles began in the late 1990s when East Bay Ray, Klaus Flouride, and D.H. Peligro sued Jello Biafra, accusing him of withholding royalties from their Alternative Tentacles label. The lawsuit ended in 2000 with Biafra losing the case, and the remaining members won rights to the Dead Kennedys’ name and music.Since then, Dead Kennedys have continued without Jello Biafra, touring with various singers, including Ron "Skip" Greer. Meanwhile, Biafra has remained a strong political voice, performing with his band Jello Biafra and the Guantanamo School of Medicine and speaking out on activism, censorship, and government corruption.The Jello Biafra vs. Dead Kennedys legal battle remains a sore point in punk history, raising questions about artistic integrity, band ownership, and the commercialization of punk rock. While some fans view the Dead Kennedys' continued performances as a cash grab, others appreciate hearing the classic songs live. What do you think? Was the lawsuit justified, or did it tarnish the band’s legacy?