One Planet Podcast · Creative Process Original Series
137 episodes
9 months ago
“I'm really interested in the relation between performance and ritual. Where do those two separate?”
Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.
“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”
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“I'm really interested in the relation between performance and ritual. Where do those two separate?”
Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.
“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”
Can Design Save the World? - SCOTT DOORLEY & CARISSA CARTER - Co-authors of Assembling Tomorrow - Directors of Stanford’s d.School
How can we design and adapt for the uncertainties of the 21st century? How do emotions shape our decisions and the way we design the world around us?
Scott Doorley is the Creative Director at Stanford's d. school and co author of Make Space. He teaches design communication and his work has been featured in museums and architecture and urbanism and the New York Times. Carissa Carter is the Academic Director at Stanford's d. school and author of The Secret Language of Maps. She teaches courses on emerging technologies and data visualization and received Fast Company and Core 77 awards for her work on designing with machine learning and blockchain. Together, they co authored Assembling Tomorrow: A Guide to Designing a Thriving Future.
“Today, someone is putting the finishing touches on a machine- learning algorithm that will change the way you relate to your family. Someone is trying to design a way to communicate with animals in their own language. Someone is designing a gene that alters bacteria to turn your poop bright blue when it’s time to see the doctor. Someone is cleaning up the mess someone else left behind seventy years ago yesterday. Today, someone just had an idea that will end up saving one thing while it harms another…
To be a maker in this moment— to be a human today— is to collaborate with the world. It is to create and be created, to work and be worked on, to make and be made. To be human is to tinker, create, fix, care, and bring new things into the world. It is to design. You— yes, you!— might design products or policy, services or sermons, production lines or preschool programs. You might run a business, make art, or participate in passing out meals to the poor. You may write code or pour concrete, lobby for endangered species legislation or craft cocktails. Wherever you fit in, you are part of shaping the world. This is design work.”
– Assembling Tomorrow
A Guide to Designing a Thriving Future
“I'm really interested in the relation between performance and ritual. Where do those two separate?”
Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.
“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”
