Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
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Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
Episode four is made possible throughout the steadfast work of biodiversity research teams networked by the EU-Asia GRID (Global and Regional Integrated Data Centers). As part of their research, a team of scientists at the Khao Luang National Park in Southern Thailand captured the evening chorus of the moist evergreen arboreal biome. The setting synthesized for this episode is the product of a time-collapsed sampling of recordings made by this research team from 17:00 to 21:30 on December 9, 2014 CE.
Galaxy Express 555
Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
