Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
All content for Galaxy Express 555 is the property of Chris Farstad / 555 and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
The fifth installment of Galaxy Express 555 features excerpts from a daily sound diary kept by sound artist and musician Natalia Beylis throughout 2013. Focusing on the practice of intensive listening, her work under the Sunken Hum moniker investigates the pure sonic fact of everyday events, translating her life in the wilderness of northwestern Ireland into the common language of awareness.
Galaxy Express 555
Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
