Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
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Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
The sixth installment of Galaxy Express 555 is a nexus of personal catharsis and abstract geographic resonance, as inexplicable to its creator as is may seem to its intended audience. Using the Renaissance composer William Byrd’s “Miserere Mei” as a starting point, a MIDI file of the 16th century composition was executed through a synthesizer at 5 BPM, turning a roughly 2.5 minute motet into over three hours of audio data. This sample was then cut down to 25 minutes over a period of weeks. The final composition is paired with an excerpt of a very unique field recording of silence taken in the afternoon of 20 December, 2011 by Belgian sound artist Peter Lenaerts.
Galaxy Express 555
Water Has Nothing To Say And Neither Do I is a site-specific sound piece for treated boat and radio. Taking inspiration from treated piano techniques developed by John Cage, sound artist Anthony Janas treated a 25 foot sailboat with hydrophones and contact microphones and processed them through a modular synthesizer, creating the base recording used for this episode.
During the course of the vessel’s journey from the Adler Planetarium to the 31st Street Beach, the water, waves, and wind "performed" the piece—with Janas acting as the conductor of the ship. A radio broadcast antenna placed on the vessel transmitted the performance to the audience on shore. Audience members were provided with handheld radios and were encouraged to walk up and down the shore to observe the boat from afar, listening to the interactions of their environment with the composition produced on the vessel.
The recording of this event was transformed by additional synthesizer treatments into a collaborative, meditative sound piece, substituting "we" for "I" and offering a new take on Janas' 2016 Transmission Arts project.
