Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
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Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
Jessica Fuentes and William Sarradet discuss recent news stories in Texas, including the controversy surrounding Sally Mann's work, the destruction of artwork installed at the Austin Convention Center, and the closure of the Panhandle-Plains Historical Museum.
"The Modern (Art Museum of Fort Worth) had a notification at the entrance stating that the exhibition (Diaries of Home) contained mature content. Is a museum allowed to show work that some people might deem obscene if they provide notice so viewers can make the decision whether or not they want to go in? The Modern, in particular, charges an entry fee, you make a choice to go in."
See related readings here: https://glasstire.com/2025/04/06/art-dirt-news-roundup
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
Glasstire
Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
