Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
All content for Glasstire is the property of Glasstire and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
Art Dirt: Pricing Your Art, Gallery Representation & Alternative Spaces
Glasstire
52 minutes 55 seconds
4 months ago
Art Dirt: Pricing Your Art, Gallery Representation & Alternative Spaces
Brandon Zech, William Sarradet, and Nicholas Frank answer Glasstire readers' questions about pricing art, working with galleries, and exhibiting in alternative spaces.
“Showing up to everything you can is the first step… talk to the galleries who show work that you like, ask them questions about their program, and learn what they’re interested in. It’s really about continuous engagement with people and building relationships, which doesn’t happen over night. But, the more you focus on it, the more you start to see those results.”
See related readings here: https://glasstire.com/2025/08/23/art-dirt-pricing-your-art-gallery-representation-alternative-spaces/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
Glasstire
Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
