Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
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Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
Brandon Zech, William Sarradet, and Nicholas Frank share insights and reflections from the inaugural Houston edition of the Untitled Art fair.
“We are proud of Houston, but it can be kind of a hard place to visit. I was impressed by Untitled's programming in the way that the fair was trying to act as a host for people both in the city and for people coming from out of town.”
Related readings: https://glasstire.com/2025/09/20/art-dirt-reporting-from-untitled-art-houston
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
Glasstire
Brandon Zech and Jessica Fuentes look back on the year in Texas art, from the removal of Sally Mann's photographs from the Fort Worth Modern to art fairs that debuted in Texas and major leadership changes at institutions across the state.
"It struck me how different not only the process of selecting [Alma Allen as the U.S. representative for the Venice Biennale] was but also how different their artwork is, compared to what else has been shown on the national stage in recent years. It's not a dig at the artist in any way, but it feels more in line with an overall blandness and [support for] artwork that doesn't necessarily push talking points or boundaries or that investigates or looks closely at culture and society..."
See related readings here: https://glasstire.com/2025/12/26/art-dirt-2025-year-in-review/
If you enjoy Glasstire and would like to support our work, please consider donating. As a nonprofit, all of the money we receive goes back into our coverage of Texas art. You can make a one-time donation or become a sustaining, monthly donor here: https://glasstire.com/donate
