Although much of the conflict of urban life is focused on public space there’s a lot to be said for the negotiations we all maintain indoors. Through the restaurant kitchen downstairs or the noisy neighbor next door the city tends to extend inside. This episode is sort of an audio gatecrashing, I’m inviting myself into a few Odes[s]an interiors, and you listeners are welcome to join me.
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Although much of the conflict of urban life is focused on public space there’s a lot to be said for the negotiations we all maintain indoors. Through the restaurant kitchen downstairs or the noisy neighbor next door the city tends to extend inside. This episode is sort of an audio gatecrashing, I’m inviting myself into a few Odes[s]an interiors, and you listeners are welcome to join me.
The whole team at HTBD has been working, at this point for years, on a new season about Odes[s]a, Ukraine. While we’re impatient to put out everything we’ve been preparing, we decided to take our time and frame what you will be hearing this season. A prologue if you will. For the next few weeks, we’ll be releasing these short casual clips that explain our approach (and how it changed) this season. This clip talks about our approach to language this season, a subject that has gotten more and more tense in Odes[s]a since Russia’s invasion.
Here There Be Dragons
Although much of the conflict of urban life is focused on public space there’s a lot to be said for the negotiations we all maintain indoors. Through the restaurant kitchen downstairs or the noisy neighbor next door the city tends to extend inside. This episode is sort of an audio gatecrashing, I’m inviting myself into a few Odes[s]an interiors, and you listeners are welcome to join me.
