Lydia Tár is a world-famous conductor who gets embroiled in a number of messes both internal and external; professional and private. She's weird. She's amoral. She's refined and unrelenting and unstinting. And boy is she good at conducting classical music. Todd Field's much-buzzed film goes off the deep end more than once, stylistically and every other way. Join Zoe and Tom as they work out whether this is a work of pure genius, or a totally pretentious disaster. Or a bit of both.