In this final episode of the miniseries, Erica Moiah James speaks with her friend and colleague, Sora Han. Erica and Sora were fellows at the Clark Art Institute together in 2024. While Erica was working on this project about representation in the Caribbean, Sora was working on a project about Charles Gaines, and his work Manifestos 4, which is a visual engagement with the Dred Scott decision of 1857, which denied Black people the right to citizenship, and therefore also the right to sue for ...
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In this final episode of the miniseries, Erica Moiah James speaks with her friend and colleague, Sora Han. Erica and Sora were fellows at the Clark Art Institute together in 2024. While Erica was working on this project about representation in the Caribbean, Sora was working on a project about Charles Gaines, and his work Manifestos 4, which is a visual engagement with the Dred Scott decision of 1857, which denied Black people the right to citizenship, and therefore also the right to sue for ...
“A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS
In the Foreground: Conversations on Art & Writing
9 minutes
3 years ago
“A Mechanism for Survival”: McClain Groff on nibia pastrana santiago’s NO MORE EFFORTS
Puerto Rican multidisciplinary artist nibia pastrana santiago’s video NO MORE EFFORTS (2020) uses humor, dance, and site-specificity to critique contemporary labor conditions and challenge histories of colonialism, dispossession, and marginalization.
In the Foreground: Conversations on Art & Writing
In this final episode of the miniseries, Erica Moiah James speaks with her friend and colleague, Sora Han. Erica and Sora were fellows at the Clark Art Institute together in 2024. While Erica was working on this project about representation in the Caribbean, Sora was working on a project about Charles Gaines, and his work Manifestos 4, which is a visual engagement with the Dred Scott decision of 1857, which denied Black people the right to citizenship, and therefore also the right to sue for ...
