On 24 February 2022 Russia turned its military actions against Ukraine which were going on in Crimea and Eastern Ukraine since 2014 into a full-blown, total war. The language of the international media to describe the conflict is unstable: first, a Russian invasion; then, “Russian-Ukrainian war”, then “Russia’s war in Ukraine”, “Russia’s war against Ukraine”, “Ukraine’s war against Russia-backed forces” or a “fratricidal war”. In Russia itself, calling the war anything other than a mere “special operation” carries with it the risk of punishment with 10 years of prison colony. If there is a war, Russian officials say, it is with NATO and the US.
How is Ukrainian identity represented on the streets of Europe, and what are the political functions of this representation? How do Ukrainians think about their past in the light of the present? In what sense have European states, especially Germany, reassessed their past alignments in Europe? And how have historians approached the subject of Ukrainian identity?
In this episode we have two conversations on Russia’s war against Ukraine. First we speak to the photographer and writer Evgeniya Belorusets. She is the co-founder of “Prostory”, a journal for literature, art and politics. Her works move at the intersection of art, literature, journalism and social activism, between document and fiction. In the current war, she has become, in her own words, the “hostage of her own war diary” as she remained in Kyiv throughout the Russian attack. Now she is just back from the Venice Biennale where she has worked with the Ukrainian pavilion.
Our second conversation is with Stefan Troebst, a historian and a Slavicist until recently Professor of East European Cultural History at Leipzig University. He has published widely on the modern cultural, political and legal history of Eastern Europe - editor of a book series Visual Historical Cultures. He also worked as a German member for missions of long duration for the Organisation for Security and Cooperation in Europe in the former Yugoslavia and former USSR.
We are grateful to Lviv-based band Okean Elzy for allowing us to use their single Obiymi (2003), remixed by Dima Zago from Kramatorsk.
Hosts: Dina Gusejnova, Georgios Giannakopoulos
Editorial and production assistants:
Thomas Walsh, Clara Castello, Louis Wong, Zaid Salam
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On 24 February 2022 Russia turned its military actions against Ukraine which were going on in Crimea and Eastern Ukraine since 2014 into a full-blown, total war. The language of the international media to describe the conflict is unstable: first, a Russian invasion; then, “Russian-Ukrainian war”, then “Russia’s war in Ukraine”, “Russia’s war against Ukraine”, “Ukraine’s war against Russia-backed forces” or a “fratricidal war”. In Russia itself, calling the war anything other than a mere “special operation” carries with it the risk of punishment with 10 years of prison colony. If there is a war, Russian officials say, it is with NATO and the US.
How is Ukrainian identity represented on the streets of Europe, and what are the political functions of this representation? How do Ukrainians think about their past in the light of the present? In what sense have European states, especially Germany, reassessed their past alignments in Europe? And how have historians approached the subject of Ukrainian identity?
In this episode we have two conversations on Russia’s war against Ukraine. First we speak to the photographer and writer Evgeniya Belorusets. She is the co-founder of “Prostory”, a journal for literature, art and politics. Her works move at the intersection of art, literature, journalism and social activism, between document and fiction. In the current war, she has become, in her own words, the “hostage of her own war diary” as she remained in Kyiv throughout the Russian attack. Now she is just back from the Venice Biennale where she has worked with the Ukrainian pavilion.
Our second conversation is with Stefan Troebst, a historian and a Slavicist until recently Professor of East European Cultural History at Leipzig University. He has published widely on the modern cultural, political and legal history of Eastern Europe - editor of a book series Visual Historical Cultures. He also worked as a German member for missions of long duration for the Organisation for Security and Cooperation in Europe in the former Yugoslavia and former USSR.
We are grateful to Lviv-based band Okean Elzy for allowing us to use their single Obiymi (2003), remixed by Dima Zago from Kramatorsk.
Hosts: Dina Gusejnova, Georgios Giannakopoulos
Editorial and production assistants:
Thomas Walsh, Clara Castello, Louis Wong, Zaid Salam
Episode 4: Belarus: Colonies, Borderlands, Memory and Security in Eastern Europe
International History Now
40 minutes 36 seconds
5 years ago
Episode 4: Belarus: Colonies, Borderlands, Memory and Security in Eastern Europe
Georgios Giannakopoulos and Dina Gusejnova in conversation with Alexander Etkind, Professor of History at the European University Institute at Florence, and Maria Mälksoo, Senior Lecturer in International Security at the Brussels School of International Studies, University of Kent.
Taking the protests in Belarus which began in August 2020 as a cue, this episode reexamines some of the pivotal scholarship in Eastern European history and international relations through conversations about ways in which the past comes alive in present crises. The episode aims to contextualise the past of Belarus and the region of Kresy in the light of an open future, centring around issues of the cultural and economic histories of borderlands, memory and security, forgotten and obliterated groups. We also discuss how interdisciplinary groups using new media could foster new insights into the history and memory of this region.
International History Now
On 24 February 2022 Russia turned its military actions against Ukraine which were going on in Crimea and Eastern Ukraine since 2014 into a full-blown, total war. The language of the international media to describe the conflict is unstable: first, a Russian invasion; then, “Russian-Ukrainian war”, then “Russia’s war in Ukraine”, “Russia’s war against Ukraine”, “Ukraine’s war against Russia-backed forces” or a “fratricidal war”. In Russia itself, calling the war anything other than a mere “special operation” carries with it the risk of punishment with 10 years of prison colony. If there is a war, Russian officials say, it is with NATO and the US.
How is Ukrainian identity represented on the streets of Europe, and what are the political functions of this representation? How do Ukrainians think about their past in the light of the present? In what sense have European states, especially Germany, reassessed their past alignments in Europe? And how have historians approached the subject of Ukrainian identity?
In this episode we have two conversations on Russia’s war against Ukraine. First we speak to the photographer and writer Evgeniya Belorusets. She is the co-founder of “Prostory”, a journal for literature, art and politics. Her works move at the intersection of art, literature, journalism and social activism, between document and fiction. In the current war, she has become, in her own words, the “hostage of her own war diary” as she remained in Kyiv throughout the Russian attack. Now she is just back from the Venice Biennale where she has worked with the Ukrainian pavilion.
Our second conversation is with Stefan Troebst, a historian and a Slavicist until recently Professor of East European Cultural History at Leipzig University. He has published widely on the modern cultural, political and legal history of Eastern Europe - editor of a book series Visual Historical Cultures. He also worked as a German member for missions of long duration for the Organisation for Security and Cooperation in Europe in the former Yugoslavia and former USSR.
We are grateful to Lviv-based band Okean Elzy for allowing us to use their single Obiymi (2003), remixed by Dima Zago from Kramatorsk.
Hosts: Dina Gusejnova, Georgios Giannakopoulos
Editorial and production assistants:
Thomas Walsh, Clara Castello, Louis Wong, Zaid Salam
