Sam Fender’s debut album signalled the arrival of a voice readymade to inspire festival singalongs. On his second album, he now shows his considerable skills as a songwriter, tackling both the personal and political with equal measures of insight and heart. Seventeen Going Under is Fender’s follow-up to 2019’s Hypersonic Missiles. From the working classes of northern England, an unsettled childhood from divorced parents, plus an undisclosed health issue, has given the now 27yo plenty to reflect upon. Wanting to avoid writing about the pandemic, he couldn’t ignore though the toll it was taking on family, friends and himself. With his activity completely restricted to protect his own health, his observational song writing muscle that he flexed on his debut was now severely limited. Knowing he needed to draw on deeper personal subject matter for his new songs, he channelled a lot of the personal therapy he’s been undergoing into some powerful material. With some big shows in the UK to launch him back on the scene, Fender speaks here with Richard Kingsmill about the album, his personal growth and the scope of his new songs.