Eric Newman speaks to Brandon Taylor about his latest novel, “Minor Black Figures.” It centers on Wyeth, a Black artist in his thirties wrestling with creative stagnation and the pressures of sudden fame after some of his paintings unexpectedly go viral. As he resists the temptation to produce the sort of identity-based art the market seems to want, Wyeth engages in recovering the life and career of a forgotten Black artist from the 1970s. He also finds himself entangled in a romance with a former seminarian whose views on art and faith challenge and inspire him amid the humid swirl of summer in New York. Taylor discusses the novel's origins, the white gaze and the struggles faced by Black artists, and how to write a good sex scene.
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Eric Newman speaks to Brandon Taylor about his latest novel, “Minor Black Figures.” It centers on Wyeth, a Black artist in his thirties wrestling with creative stagnation and the pressures of sudden fame after some of his paintings unexpectedly go viral. As he resists the temptation to produce the sort of identity-based art the market seems to want, Wyeth engages in recovering the life and career of a forgotten Black artist from the 1970s. He also finds himself entangled in a romance with a former seminarian whose views on art and faith challenge and inspire him amid the humid swirl of summer in New York. Taylor discusses the novel's origins, the white gaze and the struggles faced by Black artists, and how to write a good sex scene.
Where Have All the Cowboys Gone: Are Literary Men in Crisis?
LA Review of Books
1 hour 5 minutes
2 months ago
Where Have All the Cowboys Gone: Are Literary Men in Crisis?
In this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman discuss the "crisis" du jour in American publishing: the erosion of male literary stars and their readers across the landscape of contemporary fiction. Is this even happening—and if so, why? Tackling cultural anxieties about the waning centrality of the straight, white male author alongside spurious statistics and questions about the material realities of publishing in the 21st century, the hosts break down the forces they see lurking behind the discourse.
Links:
https://www.nytimes.com/2024/12/07/opinion/men-fiction-novels.html
https://www.nytimes.com/2025/06/25/style/fiction-books-men-reading.html
https://lareviewofbooks.org/article/against-high-brodernism/
https://www.vox.com/culture/392971/men-reading-fiction-statistics-fact-checked
https://www.lrb.co.uk/the-paper/v47/n16/emily-witt/do-you-feel-like-a-failure
https://theconversation.com/a-new-publisher-will-focus-on-books-by-men-are-male-writers-and-readers-under-threat-255874
https://defector.com/the-plight-of-the-white-male-novelist
LA Review of Books
Eric Newman speaks to Brandon Taylor about his latest novel, “Minor Black Figures.” It centers on Wyeth, a Black artist in his thirties wrestling with creative stagnation and the pressures of sudden fame after some of his paintings unexpectedly go viral. As he resists the temptation to produce the sort of identity-based art the market seems to want, Wyeth engages in recovering the life and career of a forgotten Black artist from the 1970s. He also finds himself entangled in a romance with a former seminarian whose views on art and faith challenge and inspire him amid the humid swirl of summer in New York. Taylor discusses the novel's origins, the white gaze and the struggles faced by Black artists, and how to write a good sex scene.