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Let's talk about Verticals
Michaela Bergmann
47 episodes
2 days ago
๐ŸŽญโœจ Who doesnโ€™t dream of Broadway as an artist?
My guest today no longer has to dream about it โ€” he has already performed on Broadway before eventually diving into the world of verticals and film.

๐ŸŽฌ Daniel Bateman joined me for a conversation where we talk about what fascinates him about working in film and vertical productions, what he misses most from his time in theater, and โ€” most importantly โ€” what he pays close attention to when choosing casting calls.
Having played both lead and lead antagonist roles, Daniel speaks openly and honestly about why he often finds the pay offered for antagonist roles unfair compared to lead roles. ๐Ÿ’ฌโš–๏ธ

๐Ÿ‘€ Daniel enjoys watching some of his verticals after theyโ€™re released โ€” but like many of us, heโ€™s occasionally disappointed by post-production choices that can unfortunately ruin otherwise great scenes. He also tries (much to my delight ๐Ÿ˜„) to bring humor and charm into certain roles, which he admits is often discouraged. Why that is โ€” he explains here.

โค๏ธ Why he loves acting so deeply, how it has shaped him as a person, the reason he somehow managed to lose all of his bonus points with me, and why heโ€™ll be singing at the next recording ๐ŸŽค โ€” youโ€™ll find out all of that and much more in this podcast episode.
๐ŸŽงโœจ Enjoy listening!
Show more...
After Shows
TV & Film
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๐ŸŽญโœจ Who doesnโ€™t dream of Broadway as an artist?
My guest today no longer has to dream about it โ€” he has already performed on Broadway before eventually diving into the world of verticals and film.

๐ŸŽฌ Daniel Bateman joined me for a conversation where we talk about what fascinates him about working in film and vertical productions, what he misses most from his time in theater, and โ€” most importantly โ€” what he pays close attention to when choosing casting calls.
Having played both lead and lead antagonist roles, Daniel speaks openly and honestly about why he often finds the pay offered for antagonist roles unfair compared to lead roles. ๐Ÿ’ฌโš–๏ธ

๐Ÿ‘€ Daniel enjoys watching some of his verticals after theyโ€™re released โ€” but like many of us, heโ€™s occasionally disappointed by post-production choices that can unfortunately ruin otherwise great scenes. He also tries (much to my delight ๐Ÿ˜„) to bring humor and charm into certain roles, which he admits is often discouraged. Why that is โ€” he explains here.

โค๏ธ Why he loves acting so deeply, how it has shaped him as a person, the reason he somehow managed to lose all of his bonus points with me, and why heโ€™ll be singing at the next recording ๐ŸŽค โ€” youโ€™ll find out all of that and much more in this podcast episode.
๐ŸŽงโœจ Enjoy listening!
Show more...
After Shows
TV & Film
https://lcdn.letscast.fm/media/podcast/536dd8b6/episode/a4592696/artwork-3000x3000.jpeg?t=1765965955
34 - Alina Averianova - No one understands the Vertical Script like she does...
Let's talk about Verticals
1 hour 16 minutes 17 seconds
4 weeks ago
34 - Alina Averianova - No one understands the Vertical Script like she does...
Scripts are a big deal in the vertical world ๐ŸŽฌ โ€” and letโ€™s be honest: from an audience point of view, some things in verticals just make us go โ€œwaitโ€ฆ what?โ€ ๐Ÿคจ๐Ÿ˜‚ Thatโ€™s exactly why Iโ€™m extra excited to chat with Alina Averianova @alinavestory today!

If anyone knows their way around scripts, itโ€™s her โ€” Alina is a Script Supervisor in the vertical space ๐Ÿ“โœจ. Is the job really as fancy as it sounds? And what does a script supervisor actually do all day? She spills all the tea in this episode โ˜•๐Ÿ˜‰

And of course, I had to finally get answers to some long-standing mysteries, like:

* Why does an outfit suddenly change even though itโ€™s clearly the same scene? ๐Ÿ‘—๐Ÿค”
* Why does spilled wine magically disappear from clothes? ๐Ÿทโœจ
* How is everyoneโ€™s hair already perfectly dry right after a shower scene?! ๐Ÿšฟ๐Ÿ’โ€โ™€๏ธ
* And why is the defibrillator almost always placed on top of clothing instead of bare skin? โšก๐Ÿ˜ณ

In Alina, I finally found the long-lost detail manager of the vertical space (shoutout to episode 9 with Caitlyn @verticait ๐Ÿ‘€๐Ÿ˜‰), giving us some very exciting behind-the-scenes insights into vertical productions ๐ŸŽฅโœจ

We also chat about her journey into becoming a script supervisor, the stress and challenges that come with the job ๐Ÿ˜ฎโ€๐Ÿ’จ, and the little wishes and dreams she has for her future ๐ŸŒˆ๐Ÿ’ญ

A super fun, fast-paced and insightful conversation that gave me โ€” as a vertical viewer โ€” so many long-overdue answers ๐Ÿ™Œ Trust me: you do not want to miss this episode ๐ŸŽง๐Ÿ”ฅ
Let's talk about Verticals
๐ŸŽญโœจ Who doesnโ€™t dream of Broadway as an artist?
My guest today no longer has to dream about it โ€” he has already performed on Broadway before eventually diving into the world of verticals and film.

๐ŸŽฌ Daniel Bateman joined me for a conversation where we talk about what fascinates him about working in film and vertical productions, what he misses most from his time in theater, and โ€” most importantly โ€” what he pays close attention to when choosing casting calls.
Having played both lead and lead antagonist roles, Daniel speaks openly and honestly about why he often finds the pay offered for antagonist roles unfair compared to lead roles. ๐Ÿ’ฌโš–๏ธ

๐Ÿ‘€ Daniel enjoys watching some of his verticals after theyโ€™re released โ€” but like many of us, heโ€™s occasionally disappointed by post-production choices that can unfortunately ruin otherwise great scenes. He also tries (much to my delight ๐Ÿ˜„) to bring humor and charm into certain roles, which he admits is often discouraged. Why that is โ€” he explains here.

โค๏ธ Why he loves acting so deeply, how it has shaped him as a person, the reason he somehow managed to lose all of his bonus points with me, and why heโ€™ll be singing at the next recording ๐ŸŽค โ€” youโ€™ll find out all of that and much more in this podcast episode.
๐ŸŽงโœจ Enjoy listening!