Today we chat with Jerome Begin, an American composer and musician based in New York. We talk about his musical journey, how he approached modular synthesizers and why, and take a look at his compositional approach through the commissioned score he wrote for the Douglas Dunn dance company.
Jerome is currently Music Advisor at the Juilliard School Dance Division, and has composed many scores for dance, theater, concert works, installation and film performed worldwide. In his current works, he is mostly working on the interaction between electronic devices and acoustic instruments.
www.jeromebegin.com
Two modular scores mentioned in the interview:
Greener Grass: https://vimeo.com/790299860
Bubble: https://www.youtube.com/watch?v=lp66DG7CNic
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Today we chat with Jerome Begin, an American composer and musician based in New York. We talk about his musical journey, how he approached modular synthesizers and why, and take a look at his compositional approach through the commissioned score he wrote for the Douglas Dunn dance company.
Jerome is currently Music Advisor at the Juilliard School Dance Division, and has composed many scores for dance, theater, concert works, installation and film performed worldwide. In his current works, he is mostly working on the interaction between electronic devices and acoustic instruments.
www.jeromebegin.com
Two modular scores mentioned in the interview:
Greener Grass: https://vimeo.com/790299860
Bubble: https://www.youtube.com/watch?v=lp66DG7CNic
10. Ben Carey: Feedback patching, instrument design, and resonances
Let’s Talk Music
1 hour 25 minutes 22 seconds
9 months ago
10. Ben Carey: Feedback patching, instrument design, and resonances
Today's guest is Ben Carey, an Australian composer, improviser, and educator, based in Sydney/Eora. He makes electronic music using the modular synthesizer, develops interactive music software, and creates audio-visual works. Ben is a Senior Lecturer in Composition and Music Technology at the Sydney Conservatorium of Music, University of Sydney, and his research and practice are concerned with interactive and generative music.
https://bencarey.net/
https://bencarey.bandcamp.com/
Listen to the podcast here:
• Spotify https://open.spotify.com/show/0mfJXL5LGSl5sCM0pIFoOV?si=518eebac405f41e1
• Apple https://podcasts.apple.com/it/podcast/lets-talk-music/id1717656645
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00:00:00 Introduction
00:00:33 Ben’s musical journey
00:05:38 Building your own instrument vs ready-made synthesizers
00:11:38 Digital vs analog and the problem of interfaces
00:30:38 Ben’s patch
00:49:00 Clocks and spaces
00:55:00 Morphagene as a reverb
00:59:03 Feedback patching and resonances
01:15:43 What could be the next Frap Tools module?
01:24:35 Closing remarks
#fraptools #electronicmusic #modularsynthesizer #euroracksynth #sounddesign #synth
Let’s Talk Music
Today we chat with Jerome Begin, an American composer and musician based in New York. We talk about his musical journey, how he approached modular synthesizers and why, and take a look at his compositional approach through the commissioned score he wrote for the Douglas Dunn dance company.
Jerome is currently Music Advisor at the Juilliard School Dance Division, and has composed many scores for dance, theater, concert works, installation and film performed worldwide. In his current works, he is mostly working on the interaction between electronic devices and acoustic instruments.
www.jeromebegin.com
Two modular scores mentioned in the interview:
Greener Grass: https://vimeo.com/790299860
Bubble: https://www.youtube.com/watch?v=lp66DG7CNic
