“The films were my therapeutic outlet. Even now, if I’m having a bad day, or gearing up for a bad day, I’ll wear that Bond t-shirt under my shirt, or Bond socks. A little bit of something that reminds me of who I am or who I want to be. Bond connects you to something.”
We often think of Bond as someone who can move through the world effortlessly, fitting in wherever he goes. But the more we look, the more we find he’s someone who - like many of us - feels a disconnect with the world around him. And yet, Bond is also someone who can help us feel like we belong.
David first got to know Craig he was seeking to find a home for his emotionally raw article about the divisive reaction to No Time To Die - and what it meant for him personally.
https://www.licencetoqueer.com/blog/no-crying-shame
This article touched on elements of his childhood, which he unpacks in detail for the first time here…
When he was nine years old, Craig Gent found himself living in a refuge for families experiencing domestic violence. Out of necessity, he had to grow up pretty quickly. Cut off from his previous life, he formed a deep connection with Bond through watching the films over and over again on VHS tapes.
As an adult, Craig’s love for Bond has not abated, although it’s faced some challenges over the years. Craig hates it when people attempt to apply reductive labels to Bond - ‘sexist’ ‘nationalistic’ ‘heterosexist’. Bond is simply more complex than that - and more interesting.
David and Craig debate the extent to which Bond can be considered an insider or an outsider; a figure of the Establishment or someone who is anti-Establishment. Ultimately, Craig argues, Bond works best when he’s irreverent, showing a comforting lack of respect for people in authority and the institutions they represent.
Craig Gent is the co-host of the Heart Reacts podcast: https://shows.acast.com/heart-reacts
He is the author of the book Cyberboss: The Rise of Algorithmic Management and the New Struggle for Control at Work (Versio Books, 2024)
Craig has also authored another brilliant piece for Licence to Queer about the toys and the formative effects they have on us: