Today I’m joined by Max Spohn, a luthier whose path into guitar making has been unusually intentional. While many makers discover the craft by accident, Max set out early with a clear plan: a childhood surrounded by music and art, formal training in Markneukirchen, and a pivotal apprenticeship with Raymond Kraut, drawing from the Somogyi lineage. His work reflects that depth: modern acoustic guitars shaped by design thinking, informed by early influences like Kandinsky and Klee, and rooted in...
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Today I’m joined by Max Spohn, a luthier whose path into guitar making has been unusually intentional. While many makers discover the craft by accident, Max set out early with a clear plan: a childhood surrounded by music and art, formal training in Markneukirchen, and a pivotal apprenticeship with Raymond Kraut, drawing from the Somogyi lineage. His work reflects that depth: modern acoustic guitars shaped by design thinking, informed by early influences like Kandinsky and Klee, and rooted in...
Today I’m joined by Max Spohn, a luthier whose path into guitar making has been unusually intentional. While many makers discover the craft by accident, Max set out early with a clear plan: a childhood surrounded by music and art, formal training in Markneukirchen, and a pivotal apprenticeship with Raymond Kraut, drawing from the Somogyi lineage. His work reflects that depth: modern acoustic guitars shaped by design thinking, informed by early influences like Kandinsky and Klee, and rooted in...
Life With Strings Attached
Today I’m joined by Max Spohn, a luthier whose path into guitar making has been unusually intentional. While many makers discover the craft by accident, Max set out early with a clear plan: a childhood surrounded by music and art, formal training in Markneukirchen, and a pivotal apprenticeship with Raymond Kraut, drawing from the Somogyi lineage. His work reflects that depth: modern acoustic guitars shaped by design thinking, informed by early influences like Kandinsky and Klee, and rooted in...
