A decade after lighting up the UK post-dubstep landscape with his own brand of sadness-tinted bright-focus electronic pop, Orlando Higginbottom returns with a new shape and a sharper edge. Dropping the Totally Enourmous Extinct Dinosaurs nom de plume, now as TEED, he opens up about rebuilding a creative life, dropping that Dadaist moniker that became a barrier, and writing Always With Me as a front-to-back album designed for deep listening. We dig into the real cost of momentum, the strange m...
All content for Lost And Sound is the property of Paul Hanford and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
A decade after lighting up the UK post-dubstep landscape with his own brand of sadness-tinted bright-focus electronic pop, Orlando Higginbottom returns with a new shape and a sharper edge. Dropping the Totally Enourmous Extinct Dinosaurs nom de plume, now as TEED, he opens up about rebuilding a creative life, dropping that Dadaist moniker that became a barrier, and writing Always With Me as a front-to-back album designed for deep listening. We dig into the real cost of momentum, the strange m...
We’re living in fractured times. What can art really offer us? Lyra Pramuk’s powerful new album Hymnal might just offer a clue — not through escapism or easy answers, but by embracing contradiction and carving out sonic spaces where new ways of being can start to take root. I visited Lyra at her studio in Berlin to talk about the making of what could be one of the most bold and affecting records of the year. Building on the foundation of her acclaimed 2020 debut Fountain, she’s taken things...
Lost And Sound
A decade after lighting up the UK post-dubstep landscape with his own brand of sadness-tinted bright-focus electronic pop, Orlando Higginbottom returns with a new shape and a sharper edge. Dropping the Totally Enourmous Extinct Dinosaurs nom de plume, now as TEED, he opens up about rebuilding a creative life, dropping that Dadaist moniker that became a barrier, and writing Always With Me as a front-to-back album designed for deep listening. We dig into the real cost of momentum, the strange m...
