Three hours of deep underground house music from a couple of Naarm's extended blend bosses.
@jackhnelson & @billusmoon
Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?
A. Sam: would be amiss not to say deepness – hard to really say what that means, though. Music played deep into the party, everyone on molly, the sound system is the one from Labyrinth, and it’s in Yarra Bend.
A. Jack: Yeah much the same as Sam, we share a mutual love for deepness albeit in a slightly different way. I hope it will be a bit of an all hours mix for cooking, eating, driving or for the hours after etc.
Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?
A. Sam: Many resonate, but the Baby Ford track toward the beginning sums up the whole deepness-being-difficult-to-describe thing, for me at least. David Alvarado does that to me as well – he features a fair bit here.
A. Jack: there have been many tunes I would've loved to include - but without much defined planning we got to this mix one afternoon. Bit of a mish mash of different deepish tunes from over the years, moving around home base which is good old house music. Nothing too serious.
Q. You’ve both been involved in facilitating a myriad of great underground parties in Melbourne over the last decade from outdoor raves to basement club nights, Jack, tell us about your latest endeavour Reasons and how that fits into the music community focussed party ethos?
A. Jack: Reasons came about as a bit of an evolution from just running parties, toward something that connects and platforms the people around me and incorporates music, food and art.. After spending time overseas, I felt a strong pull to bridge those worlds, and to bring some of those ideas we encountered abroad back home.
Q. I know you’ve both been working hard on various studio projects both solo and collaboratively, tell us about the latest endeavours, and what sounds are you enjoying exploring whilst working together?
A. Sam: Making music together has always come naturally, finishing tracks less so. Plans mostly go out the window once we start, but I feel like we’ve always converged on a distinct feeling without having to explicitly voice. I like exploring all sounds with Neil, but I guess we’ve always tended to steer toward some kind of 90s nostalgia. The final track in the mix is a useful example.
A. Jack: We’re both always making music in some form, sometimes with more focus than others, at least for me. We’ve always got a few bits in the works I guess (including the last track in the mix), but as Sam said, finishing things together doesn't always happen... Lately, I’ve been trying to be a bit more deliberate with what I am making. Definitely a few releases to come in the next 6 months, as well as a new non-dance music project.
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Three hours of deep underground house music from a couple of Naarm's extended blend bosses.
@jackhnelson & @billusmoon
Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?
A. Sam: would be amiss not to say deepness – hard to really say what that means, though. Music played deep into the party, everyone on molly, the sound system is the one from Labyrinth, and it’s in Yarra Bend.
A. Jack: Yeah much the same as Sam, we share a mutual love for deepness albeit in a slightly different way. I hope it will be a bit of an all hours mix for cooking, eating, driving or for the hours after etc.
Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?
A. Sam: Many resonate, but the Baby Ford track toward the beginning sums up the whole deepness-being-difficult-to-describe thing, for me at least. David Alvarado does that to me as well – he features a fair bit here.
A. Jack: there have been many tunes I would've loved to include - but without much defined planning we got to this mix one afternoon. Bit of a mish mash of different deepish tunes from over the years, moving around home base which is good old house music. Nothing too serious.
Q. You’ve both been involved in facilitating a myriad of great underground parties in Melbourne over the last decade from outdoor raves to basement club nights, Jack, tell us about your latest endeavour Reasons and how that fits into the music community focussed party ethos?
A. Jack: Reasons came about as a bit of an evolution from just running parties, toward something that connects and platforms the people around me and incorporates music, food and art.. After spending time overseas, I felt a strong pull to bridge those worlds, and to bring some of those ideas we encountered abroad back home.
Q. I know you’ve both been working hard on various studio projects both solo and collaboratively, tell us about the latest endeavours, and what sounds are you enjoying exploring whilst working together?
A. Sam: Making music together has always come naturally, finishing tracks less so. Plans mostly go out the window once we start, but I feel like we’ve always converged on a distinct feeling without having to explicitly voice. I like exploring all sounds with Neil, but I guess we’ve always tended to steer toward some kind of 90s nostalgia. The final track in the mix is a useful example.
A. Jack: We’re both always making music in some form, sometimes with more focus than others, at least for me. We’ve always got a few bits in the works I guess (including the last track in the mix), but as Sam said, finishing things together doesn't always happen... Lately, I’ve been trying to be a bit more deliberate with what I am making. Definitely a few releases to come in the next 6 months, as well as a new non-dance music project.
The supremely talented DJ Plead launches us into a mind warping world of percussive pleasures and dexterous genre bending, with his trademark agile club rhythms and pacy low end palpitations on full display in episode 303!
@1djplead
Q. What inspiration did you draw upon when planning this mix, and what type of listening environment could you imagine it being easily enjoyed in?
A. I actually looked through my rekordbox history from a recent Animalia night I played in Naarm and drew some inspiration from that. When listening back to the mix I can imagine it being played for a semi-casual game of Futsal or something like that. I feel like there are some light-footed tracks in there that would be useful to some nimble futsal players.
Q. Are there any songs in the mix that are especially close to your heart, and what is it about these cuts that resonate with you so much?
A. Mata by Nidia & Valentina
It's taken off a truly sublime Album that I draw lots of inspiration from. It's simultaneously organic and loose and club-playable, which is a tough one to get right. It's something I’m constantly trying to achieve but they seem to have done it effortlessly.
Dotted by Cliques
I actually tried to google to see if I’ve ever put this tune in another guest mix before. I probably have, so I’ll apologise for that now. Cliques has always had a big influence on me since I started producing music. They’ve since stopped producing themselves which is a shame but I always play their old tunes out if I can. RIP Cliques..
Q. One of the things I’ve been fascinated with in your DJ sets (the Sustain-Release set for example) is your mixing of polyrhythms to seamlessly bridge tempos throughout a set. How did you first get inspired to experiment with this style and what are some of otherwise conflicting genres/sounds that have blended nicely?
A. My DJing style is at times an extension of my music production. I think this might be a good example of that. The sustain release transition from 150 to 100 is using a tune that I produced years ago in a 3/4 time signature. I’ve produced a few tunes over the past few years that are able to do that. It just allows me at times to bounce around to different worlds and stops me from feeling stuck in a tempo-range. I haven’t done it so much recently but I’d like to get back into doing it. It can create a really strange feeling for the audience. At Sustain-Release, a lot of the audience were on hallucinogens so it felt appropriate to get trippy in that way. It's harder to pull off in a nightclub environment.
I’m no longer sure what the original inspiration for experimenting with this style was. Playing a lot of tunes that have a polyrhythm in them can often make you feel like you have the option to dance at two different tempos.
Melbourne Deepcast
Three hours of deep underground house music from a couple of Naarm's extended blend bosses.
@jackhnelson & @billusmoon
Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?
A. Sam: would be amiss not to say deepness – hard to really say what that means, though. Music played deep into the party, everyone on molly, the sound system is the one from Labyrinth, and it’s in Yarra Bend.
A. Jack: Yeah much the same as Sam, we share a mutual love for deepness albeit in a slightly different way. I hope it will be a bit of an all hours mix for cooking, eating, driving or for the hours after etc.
Q. Are there any records in the mix that you were especially excited to share, and what is it about these songs that resonate with you so much?
A. Sam: Many resonate, but the Baby Ford track toward the beginning sums up the whole deepness-being-difficult-to-describe thing, for me at least. David Alvarado does that to me as well – he features a fair bit here.
A. Jack: there have been many tunes I would've loved to include - but without much defined planning we got to this mix one afternoon. Bit of a mish mash of different deepish tunes from over the years, moving around home base which is good old house music. Nothing too serious.
Q. You’ve both been involved in facilitating a myriad of great underground parties in Melbourne over the last decade from outdoor raves to basement club nights, Jack, tell us about your latest endeavour Reasons and how that fits into the music community focussed party ethos?
A. Jack: Reasons came about as a bit of an evolution from just running parties, toward something that connects and platforms the people around me and incorporates music, food and art.. After spending time overseas, I felt a strong pull to bridge those worlds, and to bring some of those ideas we encountered abroad back home.
Q. I know you’ve both been working hard on various studio projects both solo and collaboratively, tell us about the latest endeavours, and what sounds are you enjoying exploring whilst working together?
A. Sam: Making music together has always come naturally, finishing tracks less so. Plans mostly go out the window once we start, but I feel like we’ve always converged on a distinct feeling without having to explicitly voice. I like exploring all sounds with Neil, but I guess we’ve always tended to steer toward some kind of 90s nostalgia. The final track in the mix is a useful example.
A. Jack: We’re both always making music in some form, sometimes with more focus than others, at least for me. We’ve always got a few bits in the works I guess (including the last track in the mix), but as Sam said, finishing things together doesn't always happen... Lately, I’ve been trying to be a bit more deliberate with what I am making. Definitely a few releases to come in the next 6 months, as well as a new non-dance music project.
