Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow.
The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source.
Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time.
The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.
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Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow.
The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source.
Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time.
The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.
Microcosmos Records is pleased to present the new single “1961” by Bora.
“1961” is a sonic tribute to the dreamers, inventors, and cosmonauts of the early Space Age. Groovy rhythms intertwine with ethereal pads, subtle ethnic textures, and archival cosmic elements. The voice and the signal of the satellite bring the listener directly into the emotional landscape of the first space breakthrough — the moment humanity stepped beyond Earth for the very first time.
For Bora, this track carries a deeply personal story: endless bicycle journeys through remote towns and villages, serene river mornings, open fields shimmering in the sun, and the quiet presence of history still living in the land. “1961” captures this inner world — tender, dreamy, filled with awe and a longing to touch something greater.
Put on “1961” and drift into the universe of the First Ones — those who looked at the stars with courage, wonder, and boundless imagination.
Microcosmos ChillOut and Ambient
Microcosmos Records presents Gati, a new album by Six Dead Bulgarians — a deep, ritualistic journey where ambient electronics, ethnic instrumentation, and archaic memory dissolve into one continuous flow.
The word Gati comes from Sanskrit and can be translated as movement, path, passage, destiny, the migration of the soul. It reflects a worldview where life unfolds as an endless current of transitions and rebirths. This idea resonates with the geography of the Russian North, where countless rivers carry names ending in "-ga" — Volga, Onega, Pinega, Vaga — as if echoing an ancient linguistic and cultural source.
Musically, Gati is dense yet meditative. Analog synthesizer drones pulse like slow breathing, while flutes, didgeridoo, trumpet, guitar, ethnic percussion, and deeply rooted folk vocals form a living, organic texture. Field recordings from the archives of Kenozero National Park add a documentary layer, grounding the album in real landscapes, voices, and time.
The album's concept revolves around the life and fate of a Russian woman during times of hardship — not as a narrative, but as a state of being. Each track feels like a fragment of memory: intimate, restrained, and quietly powerful. Despite its depth, Gati remains surprisingly accessible — music that can accompany daily life while subtly shifting perception.
