No-Budget Nightmares is a film/comedy podcast that focuses on low/microbudget/shoestring/no-budget Films. Hosts Moe Porne and Doug Tilley scour the depths of cinema to try and find the diamonds in the rough - rare as they may be - in the no-budget community. Using sound clips and commentary, the two break down each film covered in great detail, explaining what does and doesn't work and ultimately hoping to serve as both a celebration of ingenuity, as well as a “what not to do” for aspiring filmmakers.
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No-Budget Nightmares is a film/comedy podcast that focuses on low/microbudget/shoestring/no-budget Films. Hosts Moe Porne and Doug Tilley scour the depths of cinema to try and find the diamonds in the rough - rare as they may be - in the no-budget community. Using sound clips and commentary, the two break down each film covered in great detail, explaining what does and doesn't work and ultimately hoping to serve as both a celebration of ingenuity, as well as a “what not to do” for aspiring filmmakers.
HORROR! TERROR! SCARES! On this episode of No-Budget Nightmares we're discussing 1986's TERROR AT TENKILLER, which is so incompetent they forgot to record any audio while making it, so a different crew had to step in and complete the darn thing! Moe and Doug have plenty of fun picking this dull slasher movie apart, and we even bring on the wonderful Freeman Williams (who provides a voice in the film) to tell us about its creation and to recreate a memorable scene with our hosts! We also announce our upcoming live stream, which you're going to want to be a part of. IT'S ALMOST TOO GOOD! LET'S CHECK IT OUT!
No-Budget Nightmares
No-Budget Nightmares is a film/comedy podcast that focuses on low/microbudget/shoestring/no-budget Films. Hosts Moe Porne and Doug Tilley scour the depths of cinema to try and find the diamonds in the rough - rare as they may be - in the no-budget community. Using sound clips and commentary, the two break down each film covered in great detail, explaining what does and doesn't work and ultimately hoping to serve as both a celebration of ingenuity, as well as a “what not to do” for aspiring filmmakers.
