No-Budget Nightmares is a film/comedy podcast that focuses on low/microbudget/shoestring/no-budget Films. Hosts Moe Porne and Doug Tilley scour the depths of cinema to try and find the diamonds in the rough - rare as they may be - in the no-budget community. Using sound clips and commentary, the two break down each film covered in great detail, explaining what does and doesn't work and ultimately hoping to serve as both a celebration of ingenuity, as well as a “what not to do” for aspiring filmmakers.
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No-Budget Nightmares is a film/comedy podcast that focuses on low/microbudget/shoestring/no-budget Films. Hosts Moe Porne and Doug Tilley scour the depths of cinema to try and find the diamonds in the rough - rare as they may be - in the no-budget community. Using sound clips and commentary, the two break down each film covered in great detail, explaining what does and doesn't work and ultimately hoping to serve as both a celebration of ingenuity, as well as a “what not to do” for aspiring filmmakers.
Our long national nightmare comes to a close with the return of No-Budget Nightmares! And this time we're tackling a fan-request and.. HOO BOY does Doug Phillips' 2012 film REMAKE stink. Picture a horror film about a devious ex-cop-turned-snuff-filmmaker who kidnaps young women and makes them part of his unholy art projects. Sounds ok, right? Well, what if it was faith-based. And two hours long. And the snuff filmmaker was just a sub-plot with the REAL movie being the redemption arc of an ex-actress/porn star/prostitute who has to spend LITERALLY A QUARTER OF THE MOVIE explaining how the porno business works according to hardcore Christians (spoiler! It involves working with a German Shephard!). You'll hear the pain in our voices, you sickos. ENJOY!
No-Budget Nightmares
No-Budget Nightmares is a film/comedy podcast that focuses on low/microbudget/shoestring/no-budget Films. Hosts Moe Porne and Doug Tilley scour the depths of cinema to try and find the diamonds in the rough - rare as they may be - in the no-budget community. Using sound clips and commentary, the two break down each film covered in great detail, explaining what does and doesn't work and ultimately hoping to serve as both a celebration of ingenuity, as well as a “what not to do” for aspiring filmmakers.
