John Carpenter's Vampires ditches all the goth and drama of the genre for a pulpy, no-nonsense, slay-some-bloodsuckers affair. And while the horror western essentially broke even at the domestic box office, it made money overseas and was a reportedly $40 million hit on video. But critics were mixed, and the film has some uncomfortable baggage. Join me for this discussion of the film's strengths and weaknesses, why it divides the Carpenter fanbase, and its lasting legacy. Directed by Joh...
All content for Not Now in Theaters is the property of Over-Egged Media, LLC and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
John Carpenter's Vampires ditches all the goth and drama of the genre for a pulpy, no-nonsense, slay-some-bloodsuckers affair. And while the horror western essentially broke even at the domestic box office, it made money overseas and was a reportedly $40 million hit on video. But critics were mixed, and the film has some uncomfortable baggage. Join me for this discussion of the film's strengths and weaknesses, why it divides the Carpenter fanbase, and its lasting legacy. Directed by Joh...
Writer/Director (and sometimes comic book maker) S. Craig Zahler's Brawl in Cell Block 99 is a Neo-noir prison action thriller film. If that sounds like trying to stuff way too many genres into one movie, fear not: it's violent and compelling, plain and simple. With his churning style, Zahler makes a slow-roasted film that occasionally explodes into fits of violence you can't unsee. But with standout performances from Vince Vaughn, Jennifer Carpenter, and more, the film pulls you into its cha...
Not Now in Theaters
John Carpenter's Vampires ditches all the goth and drama of the genre for a pulpy, no-nonsense, slay-some-bloodsuckers affair. And while the horror western essentially broke even at the domestic box office, it made money overseas and was a reportedly $40 million hit on video. But critics were mixed, and the film has some uncomfortable baggage. Join me for this discussion of the film's strengths and weaknesses, why it divides the Carpenter fanbase, and its lasting legacy. Directed by Joh...