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Object No 1
Alison Moloney
7 episodes
2 weeks ago
Alison Moloney interviews her fellow fashion curators about the first garment audiences encounter at the start of an exhibition. Through a close reading of this initial object, the curators discuss the theme of the show and how the garment was selected. Like the opening sentence of a book, the first object sets the scene for the narrative to unfold. The series is supported by the Centre for Fashion Curation, UAL, at London College of Fashion where Alison Moloney is an Associate Member. It is produced by Clare Lynch.
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Visual Arts
Arts
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All content for Object No 1 is the property of Alison Moloney and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Alison Moloney interviews her fellow fashion curators about the first garment audiences encounter at the start of an exhibition. Through a close reading of this initial object, the curators discuss the theme of the show and how the garment was selected. Like the opening sentence of a book, the first object sets the scene for the narrative to unfold. The series is supported by the Centre for Fashion Curation, UAL, at London College of Fashion where Alison Moloney is an Associate Member. It is produced by Clare Lynch.
Show more...
Visual Arts
Arts
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Ravishing: The Rose in Fashion at FIT
Object No 1
24 minutes 50 seconds
1 year ago
Ravishing: The Rose in Fashion at FIT

Amy de la Haye and I discuss the opening installation of Ravishing: The Rose in Fashion which was held at The Museum at FIT in New York between August 6th and November 28th 2021. Amy is a dress curator and writer and was formerly fashion curator at the V&A where she staged the seminal 1994 Streetsyle exhibition. She is a professor and joint director of the research Centre for Fashion Curation at London College of Fashion.

Object No 1
Alison Moloney interviews her fellow fashion curators about the first garment audiences encounter at the start of an exhibition. Through a close reading of this initial object, the curators discuss the theme of the show and how the garment was selected. Like the opening sentence of a book, the first object sets the scene for the narrative to unfold. The series is supported by the Centre for Fashion Curation, UAL, at London College of Fashion where Alison Moloney is an Associate Member. It is produced by Clare Lynch.