One early January morning, while the snow was still falling down in Paris, Stephanie D’heygere cleared her throat on camera. In her hand was a mug of tea to keep her company. Beyond the view presented on screen, a sunflower-shaped lamp stood tall on what seemed like a fireplace behind her. It seems that the flora and beautiful objects that ornament Stephanie will never escape her immediate periphery. This idea of beauty–one that seeps into and away from the jewelry designer–is done with ease. Second nature even. As such, it only makes sense that beauty holds no structural meaning at her namesake label, D’heygere. The designs are first conceptualized with a unique story, holding multi-functionality at the heart of each piece that exits D’heygere’s atelier door