Send us a text Oz isn’t just emerald and glitter; it’s a lesson in how stories get made and weaponized. We jump from Gregory Maguire’s Wicked to the Broadway phenomenon and the record-breaking film to unpack how a green-skinned girl became a political problem, a best friend, and a cultural icon. Along the way, we contrast the novel’s darker theology and politics with the musical’s friendship-forward heart and the movie’s big-screen mythmaking, asking what each version chooses to spotlight—and...
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Send us a text Oz isn’t just emerald and glitter; it’s a lesson in how stories get made and weaponized. We jump from Gregory Maguire’s Wicked to the Broadway phenomenon and the record-breaking film to unpack how a green-skinned girl became a political problem, a best friend, and a cultural icon. Along the way, we contrast the novel’s darker theology and politics with the musical’s friendship-forward heart and the movie’s big-screen mythmaking, asking what each version chooses to spotlight—and...
Send us a text Oz isn’t just emerald and glitter; it’s a lesson in how stories get made and weaponized. We jump from Gregory Maguire’s Wicked to the Broadway phenomenon and the record-breaking film to unpack how a green-skinned girl became a political problem, a best friend, and a cultural icon. Along the way, we contrast the novel’s darker theology and politics with the musical’s friendship-forward heart and the movie’s big-screen mythmaking, asking what each version chooses to spotlight—and...
Of Swords and Soulmates
Send us a text Oz isn’t just emerald and glitter; it’s a lesson in how stories get made and weaponized. We jump from Gregory Maguire’s Wicked to the Broadway phenomenon and the record-breaking film to unpack how a green-skinned girl became a political problem, a best friend, and a cultural icon. Along the way, we contrast the novel’s darker theology and politics with the musical’s friendship-forward heart and the movie’s big-screen mythmaking, asking what each version chooses to spotlight—and...
