Sticking closer to Mary Shelley's novel than most other adaptations, Guillermo del Toro's Frankenstein is the culmination of a lifelong dream. His vision echoes the gothic maximalism of Francis Ford Coppola's Dracula, starring Jacob Elordi as a sympathetic interpretation of Frankenstein's Creature. But does this movie measure up to GDT's past hits? Steffan and Gavia have mixed feelings, delving into the film's characterization choices, production values, and relationship with the novel.
All content for Overinvested is the property of Overinvested Podcast and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
Sticking closer to Mary Shelley's novel than most other adaptations, Guillermo del Toro's Frankenstein is the culmination of a lifelong dream. His vision echoes the gothic maximalism of Francis Ford Coppola's Dracula, starring Jacob Elordi as a sympathetic interpretation of Frankenstein's Creature. But does this movie measure up to GDT's past hits? Steffan and Gavia have mixed feelings, delving into the film's characterization choices, production values, and relationship with the novel.
Steffan and Gavia discuss the first good Superman movie since the Christopher Reeve era, a charming action-comedy from 'Guardians of the Galaxy' director James Gunn. Leaning into zany comicbook lore and the relationship between Clark Kent and Lois Lane, this reboot makes some vague attempts at political commentary - but is mostly about resetting Hollywood's vision of Superman as a lovable American icon.
Overinvested
Sticking closer to Mary Shelley's novel than most other adaptations, Guillermo del Toro's Frankenstein is the culmination of a lifelong dream. His vision echoes the gothic maximalism of Francis Ford Coppola's Dracula, starring Jacob Elordi as a sympathetic interpretation of Frankenstein's Creature. But does this movie measure up to GDT's past hits? Steffan and Gavia have mixed feelings, delving into the film's characterization choices, production values, and relationship with the novel.
