Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, ma...
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Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, ma...
E54 • Genre Blending: Creating a Hilarious Horror • DAVID JOSEPH CRAIG & BRIAN CRANO, dirs. of ‘I Don’t Understand You’ Now in Theaters following SXSW
Past Present Feature with Marcus Mizelle
1 hour
7 months ago
E54 • Genre Blending: Creating a Hilarious Horror • DAVID JOSEPH CRAIG & BRIAN CRANO, dirs. of ‘I Don’t Understand You’ Now in Theaters following SXSW
Co-Directors David Joseph Craig and Brian Crano share their take on the unique blend of horror and comedy in their latest film, “I Don’t Understand You”, now in theaters following SXSW. Past films discussed include Eugene Levy’s 1992 crime-comedy “Once Upon a Crime”. They share their personal experiences working with producing partners Joel and Nash Edgerton, what it’s like to film in Rome, Italy, and the importance of collaboration with an Italian crew. The conversation also touches on nosta...
Past Present Feature with Marcus Mizelle
Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, ma...
