Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, ma...
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Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, ma...
E63 • More With Less Through Technique and Resilience • SHIH-CHING TSOU, dir. of ‘Left-Handed Girl‘ - Taiwan’s '25 Oscar Submission, Now on Netflix
Past Present Feature with Marcus Mizelle
33 minutes
1 month ago
E63 • More With Less Through Technique and Resilience • SHIH-CHING TSOU, dir. of ‘Left-Handed Girl‘ - Taiwan’s '25 Oscar Submission, Now on Netflix
Taiwanese filmmaker Shih-Ching Tsou traces her path from a strict upbringing in Taipei to directing Left-Handed Girl, Taiwan’s 2025 Oscar submission for Best International Film, and now streaming on Netflix. After years working alongside Sean Baker, the four-time Academy Award winner known for Anora, Tangerine, and The Florida Project, and her creative partner since they co-directed their first feature Take Out, Shih-Ching steps forward with her solo directorial debut. Shih-Ching and Baker wr...
Past Present Feature with Marcus Mizelle
Sundance feature programmer Ania Trzebiatowska joins the show to talk about curation as craft, responsibility, and intuition. From her roots in Poland to running Krakow’s Off Camera festival, working in acquisitions at Visit Films, and programming U.S. and world documentary features at Sundance, Ania reflects on how taste is formed and why being pleasantly surprised when viewing submissions still matters most. We discuss the realities filmmakers obsess over, including who you know, timing, ma...
