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Peter Schavemaker - journalist
Peter Schavemaker - journalist
64 episodes
4 days ago
Eric Johanson reflects from his home in New Orleans, in an interview with music journalist Peter Schavemaker, on the creation and meaning of his live album Live in Mississippi, recorded in August 2024 at Ground Zero in Biloxi and released by RUF Records in 2025. For him, the album captures the essence of how his music is meant to exist—alive, improvisational, and shaped by the energy of the moment. “The songs are never exactly the same twice,” he explains, emphasizing his goal to bring listeners “into the live experience” even when touring cannot reach everyone. The intimate, “fat and upfront” sound was crafted to make listeners feel as if the trio were performing directly in their homes. Johanson sees live performance as an extension of songwriting: once captured in the studio, songs evolve on stage. His approach is rooted partly in lessons from mentor Tab Benoit, who produced his 2017 debut Burn It Down and showed him the importance of capturing authentic performance. Raised in Alexandria, Louisiana, Eric Johanson absorbed influences far beyond blues—from Metallica and Soundgarden to Joni Mitchell and Fiona Apple—yet identifies the blues as his natural musical language. His acoustic Covered Tracks albums and admiration for Delta blues pioneers such as Son House and Mississippi Fred McDowell show his deep connection to the genre, even as his electric trio sound leans toward British power-blues and 1970s heaviness. Live in Mississippi includes Skip James’ Hard Time Killing Floor Blues, chosen for its enduring message about economic insecurity. Johanson also honors his Louisiana and New Orleans roots with performances of the Neville Brothers’ Yellow Moon and Dr. John’s I Walk on Guilded Splinters. Looking ahead, he hopes to collaborate again with Samantha Fish, plans more touring, including Europe in 2026, and envisions a new studio album created through deeper band-based exploration, possibly self-produced. Interview © 2025 by Peter Schavemaker Tekst, Audio en Podcast Producties. All Rights Reserved.
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Eric Johanson reflects from his home in New Orleans, in an interview with music journalist Peter Schavemaker, on the creation and meaning of his live album Live in Mississippi, recorded in August 2024 at Ground Zero in Biloxi and released by RUF Records in 2025. For him, the album captures the essence of how his music is meant to exist—alive, improvisational, and shaped by the energy of the moment. “The songs are never exactly the same twice,” he explains, emphasizing his goal to bring listeners “into the live experience” even when touring cannot reach everyone. The intimate, “fat and upfront” sound was crafted to make listeners feel as if the trio were performing directly in their homes. Johanson sees live performance as an extension of songwriting: once captured in the studio, songs evolve on stage. His approach is rooted partly in lessons from mentor Tab Benoit, who produced his 2017 debut Burn It Down and showed him the importance of capturing authentic performance. Raised in Alexandria, Louisiana, Eric Johanson absorbed influences far beyond blues—from Metallica and Soundgarden to Joni Mitchell and Fiona Apple—yet identifies the blues as his natural musical language. His acoustic Covered Tracks albums and admiration for Delta blues pioneers such as Son House and Mississippi Fred McDowell show his deep connection to the genre, even as his electric trio sound leans toward British power-blues and 1970s heaviness. Live in Mississippi includes Skip James’ Hard Time Killing Floor Blues, chosen for its enduring message about economic insecurity. Johanson also honors his Louisiana and New Orleans roots with performances of the Neville Brothers’ Yellow Moon and Dr. John’s I Walk on Guilded Splinters. Looking ahead, he hopes to collaborate again with Samantha Fish, plans more touring, including Europe in 2026, and envisions a new studio album created through deeper band-based exploration, possibly self-produced. Interview © 2025 by Peter Schavemaker Tekst, Audio en Podcast Producties. All Rights Reserved.
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Music
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Interview: Tami Neilson on new album Neon Cowgirl, Equality in Country Music and Family Roots
Peter Schavemaker - journalist
1 hour 5 minutes 22 seconds
2 months ago
Interview: Tami Neilson on new album Neon Cowgirl, Equality in Country Music and Family Roots
Tami Neilson: One of today’s standard-bearers for equality in Music City Nashville, following in the tradition of Loretta Lynn, Kitty Wells and Dolly Parton. This podcast interview with Canadian/New Zealand singer-songwriter Tami Neilson centers around her new album Neon Cowgirl and the themes that shape her music and career. Neilson speaks candidly about her childhood in a touring family band, the influence of icons such as Kitty Wells, Patsy Cline, Loretta Lynn, Dolly Parton and the lessons she learned early on about the tough realities of the music industry. She reflects on the inequality between men and women in the country world and her role as an advocate for greater visibility of female artists, notably through her project The F Word. Neilson also discusses her inspirations, from Mavis Staples, Johnny Cash, Glen Campbell to Willie Nelson, and the interconnectedness of country, soul, gospel, and blues. Working with Neil Finn. The interview portrays her ongoing search for a personal definition of success, balancing motherhood, creativity, and international touring. Europe and New Zealand also play an important part: places where her music is received more freely and across genres. Neon Cowgirl emerges not only as a tribute to Nashville and her musical heroes but also as a manifesto of resilience, authenticity, and a continuing fight for equality in music. Interview © 2025 Peter Schavemaker Tekst, Audio en Podcast Producties. All Rights Reserved. info@peterschavemaker.nl
Peter Schavemaker - journalist
Eric Johanson reflects from his home in New Orleans, in an interview with music journalist Peter Schavemaker, on the creation and meaning of his live album Live in Mississippi, recorded in August 2024 at Ground Zero in Biloxi and released by RUF Records in 2025. For him, the album captures the essence of how his music is meant to exist—alive, improvisational, and shaped by the energy of the moment. “The songs are never exactly the same twice,” he explains, emphasizing his goal to bring listeners “into the live experience” even when touring cannot reach everyone. The intimate, “fat and upfront” sound was crafted to make listeners feel as if the trio were performing directly in their homes. Johanson sees live performance as an extension of songwriting: once captured in the studio, songs evolve on stage. His approach is rooted partly in lessons from mentor Tab Benoit, who produced his 2017 debut Burn It Down and showed him the importance of capturing authentic performance. Raised in Alexandria, Louisiana, Eric Johanson absorbed influences far beyond blues—from Metallica and Soundgarden to Joni Mitchell and Fiona Apple—yet identifies the blues as his natural musical language. His acoustic Covered Tracks albums and admiration for Delta blues pioneers such as Son House and Mississippi Fred McDowell show his deep connection to the genre, even as his electric trio sound leans toward British power-blues and 1970s heaviness. Live in Mississippi includes Skip James’ Hard Time Killing Floor Blues, chosen for its enduring message about economic insecurity. Johanson also honors his Louisiana and New Orleans roots with performances of the Neville Brothers’ Yellow Moon and Dr. John’s I Walk on Guilded Splinters. Looking ahead, he hopes to collaborate again with Samantha Fish, plans more touring, including Europe in 2026, and envisions a new studio album created through deeper band-based exploration, possibly self-produced. Interview © 2025 by Peter Schavemaker Tekst, Audio en Podcast Producties. All Rights Reserved.