In this interview I’m speaking with South African sculptor and installation artist Snelihle Maphumulo, an extraordinary young creative whose work is deeply rooted in both her Zulu heritage and her Christian faith.
Snelihle was born and raised in Durban, KwaZulu-Natal, and she studied Fine Art, Sculpture, and Visual Culture at Rhodes University. What makes her work so unique is the material she chooses to work with: sheep hide.
In Zulu tradition, hide carries cultural significance—it's connected to ceremonies, identity, and ancestral heritage. But for Snelihle, the sheep hide also has a powerful spiritual meaning. It represents the biblical idea of God as the Shepherd and humanity as the sheep under His care.
Through her sculptures and installations, she uses the hide to express the themes of protection, guidance, and faith. Her artworks often create quiet, contemplative spaces that invite you to reflect on the relationship between the physical material and the spiritual symbolism behind it.
What I love about her practice is how she brings together two worlds—her cultural roots and her personal Christian belief—without separating them. Instead, she weaves them into a conversation, showing how tradition and faith can coexist and inform each other in beautiful and unexpected ways.
In this interview, Snelihle shares how she transforms this traditional material into a message of hope, vulnerability, and divine connection. Her work is not just about sculpture—it’s about storytelling, identity, and the deep relationship between culture and spirituality.
All content for Petra Sittig is the property of Petra Sittig and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
In this interview I’m speaking with South African sculptor and installation artist Snelihle Maphumulo, an extraordinary young creative whose work is deeply rooted in both her Zulu heritage and her Christian faith.
Snelihle was born and raised in Durban, KwaZulu-Natal, and she studied Fine Art, Sculpture, and Visual Culture at Rhodes University. What makes her work so unique is the material she chooses to work with: sheep hide.
In Zulu tradition, hide carries cultural significance—it's connected to ceremonies, identity, and ancestral heritage. But for Snelihle, the sheep hide also has a powerful spiritual meaning. It represents the biblical idea of God as the Shepherd and humanity as the sheep under His care.
Through her sculptures and installations, she uses the hide to express the themes of protection, guidance, and faith. Her artworks often create quiet, contemplative spaces that invite you to reflect on the relationship between the physical material and the spiritual symbolism behind it.
What I love about her practice is how she brings together two worlds—her cultural roots and her personal Christian belief—without separating them. Instead, she weaves them into a conversation, showing how tradition and faith can coexist and inform each other in beautiful and unexpected ways.
In this interview, Snelihle shares how she transforms this traditional material into a message of hope, vulnerability, and divine connection. Her work is not just about sculpture—it’s about storytelling, identity, and the deep relationship between culture and spirituality.
Layers of a Life: Valeria Talian on Creativity, Change, and Finding Home in Art
Petra Sittig
43 minutes 21 seconds
2 weeks ago
Layers of a Life: Valeria Talian on Creativity, Change, and Finding Home in Art
In this inspiring conversation, artist Valeria Talian shares her journey from her birthplace in Bratislava, Slovakia, to building a life and artistic career in South Africa. Valeria moved with her family to Pretoria in 1990, where her father worked as a violinist. Although music surrounded her from an early age, her heart was drawn to the visual arts—spending hours visiting galleries and exploring different forms of creative expression.
We talked about her early fascination with making and experimenting, and how this innate curiosity has shaped her path as an artist. After living in England for two years and later qualifying in Early Childhood Development, Valeria found herself returning to art as a powerful outlet for creativity. She began exploring diverse mediums—from mosaics, drawing, and painting to the ancient technique of encaustic art.
Through years of experimentation—sometimes with surprising or even disastrous results—Valeria developed a distinctive mixed-media style that reflects both her European roots and South African experiences. Today, she continues to evolve as an artist and proudly exhibits her work at Art Africa Gallery, where her textured, layered pieces invite viewers into her world of colour, memory, and emotion.
The Inspiration by Keys of Moon | https://soundcloud.com/keysofmoon
Attribution 4.0 International (CC BY 4.0)
https://creativecommons.org/licenses/by/4.0/
Music promoted by https://www.chosic.com/free-music/all/
#artistinterview #southafricanartists #petrasittigtheartistsvoice
Petra Sittig
In this interview I’m speaking with South African sculptor and installation artist Snelihle Maphumulo, an extraordinary young creative whose work is deeply rooted in both her Zulu heritage and her Christian faith.
Snelihle was born and raised in Durban, KwaZulu-Natal, and she studied Fine Art, Sculpture, and Visual Culture at Rhodes University. What makes her work so unique is the material she chooses to work with: sheep hide.
In Zulu tradition, hide carries cultural significance—it's connected to ceremonies, identity, and ancestral heritage. But for Snelihle, the sheep hide also has a powerful spiritual meaning. It represents the biblical idea of God as the Shepherd and humanity as the sheep under His care.
Through her sculptures and installations, she uses the hide to express the themes of protection, guidance, and faith. Her artworks often create quiet, contemplative spaces that invite you to reflect on the relationship between the physical material and the spiritual symbolism behind it.
What I love about her practice is how she brings together two worlds—her cultural roots and her personal Christian belief—without separating them. Instead, she weaves them into a conversation, showing how tradition and faith can coexist and inform each other in beautiful and unexpected ways.
In this interview, Snelihle shares how she transforms this traditional material into a message of hope, vulnerability, and divine connection. Her work is not just about sculpture—it’s about storytelling, identity, and the deep relationship between culture and spirituality.
