Philippe Guillaume. Produced by Productions 3655 Inc.
5 episodes
2 hours ago
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
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In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
Before we set off, a brief introduction. Philippe Guillaume presents Photography and Walking — a podcast about how walking and photography intertwine — and shares the spirit in which the project began: exploratory, open-ended, and attentive to the world as it unfolds. Une brève introduction à Photography and Walking, où Philippe Guillaume présente l’esprit dans lequel le projet est né : exploratoire, ouvert et attentif au monde qui se déploie. — Music: Beat ’em with Rhythm - Victor Natas ...
Photography and Walking
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
