Philippe Guillaume. Produced by Productions 3655 Inc.
5 episodes
3 hours ago
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
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In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
In Vues de Likasi, Congolese artist Sami Baloji walks and photographs the streets of his hometown, revealing the quiet traces of colonial architecture and the politics embedded in everyday space. This episode of Photography and Walking follows his slow, deliberate vision — where each step becomes an act of witnessing, and each frame a way of confronting history street by street. Dans Vues de Likasi, l’artiste congolais Sami Baloji marche et photographie les rues de sa ville natale, révélant...
Photography and Walking
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
