Philippe Guillaume. Produced by Productions 3655 Inc.
5 episodes
3 hours ago
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
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In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
In 1970, Montreal artist Françoise Sullivan left one museum and walked to another — turning that simple gesture into a work of art. Her route, from the Musée d’art contemporain on Cité du Havre to the Montreal Museum of Fine Arts on Sherbrooke Street, traced more than just distance: it crossed institutions, histories, and power structures. This episode of Photography and Walking explores how Sullivan’s quiet act of movement redefined both walking and photography — not as documentation, but as...
Photography and Walking
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
