Philippe Guillaume. Produced by Productions 3655 Inc.
5 episodes
3 hours ago
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
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In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
In June 1989, a whale floats above Paris. Cameras click, cranes lift, and Japanese photographer Daidō Moriyama keeps walking through Les Halles — a city in motion between past and future. This episode explores how one surreal sight became a meditation on walking, perception, and photographic truth — reminding us that sometimes what’s worth noticing isn’t on the ground, but drifting just above it. En juin 1989, un cachalot flotte au-dessus de Paris. Les appareils cliquent, les grues se lèven...
Photography and Walking
In this first episode of Photography and Walking, Philippe reflects on a photograph taken by Mary Ellen Mark in Bombay’s red-light district in 1978. Through the story of Lata — a young woman lying in a narrow, jade-green room — he considers how walking became Mark’s way of gaining access, trust, and understanding. The episode explores how documentary photography moves between empathy and exposure, and how each step a photographer takes shapes what the image can reveal — and what it cannot. ...
