We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...
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We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...
🎙 Episode 55 – Play Like No One Is Listening G’day and welcome back to Piano, Finally, where an old bloke keeps learning the piano, one step (and one podcast) at a time. This week’s script was written in the foyer of Carriageworks ahead of Aphrodite, a world premiere chamber opera by Nico Muhly. The venue, with its industrial charm and bold programming, is perfect for discovering new voices—and maybe a future Taylor Swift. More on the opera at the end of the episode. 🎠Aphrodite at Carriagewo...
Piano, finally
We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...
