We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...
All content for Piano, finally is the property of David Reidy and is served directly from their servers
with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...
Episode 67 – If a job’s worth doing… Welcome back to Piano, Finally, a podcast from an old bloke learning the piano later in life. Term three has wrapped up, and with it my piano lessons for now. Devi has me back on Wynn-Anne Rossi’s A Wild Chase, plus a new piece—Kevin Olson’s Machines on the Loose—and Juan Cabeza’s Diversion 1. Plenty to keep me busy through the break. 🎧 Podcast & YouTube – A Musical Séance This week’s suggestion comes via Dan Schreiber’s book The Theory of Everything E...
Piano, finally
We’re into the last three teaching weeks of the school year; final marking is nearly done, and I’m looking forward to a bit more time at the piano. 🎧 YouTube – Beethoven Literally Used Four Chords to Write Für Elise YouTube analysis channels can be a goldmine. Jazz pianist Charles Cornell – co-founder of Better Piano and author of Jazz Piano Improv – has a terrific breakdown of Für Elise. He looks at the key (A minor), the 3/8 time signature (so it doesn’t feel like a waltz), and the chord mo...