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POP ART
Howard Casner
123 episodes
2 weeks ago
My guest will chose a movie from pop culture and I will chose a film from the art/classic side of cinema with some sort of connection and we will discuss both movies.
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Film History
TV & Film
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All content for POP ART is the property of Howard Casner and is served directly from their servers with no modification, redirects, or rehosting. The podcast is not affiliated with or endorsed by Podjoint in any way.
My guest will chose a movie from pop culture and I will chose a film from the art/classic side of cinema with some sort of connection and we will discuss both movies.
Show more...
Film History
TV & Film
https://d3t3ozftmdmh3i.cloudfront.net/staging/podcast_uploaded_episode/5054071/5054071-1691193972785-182afd761febc.jpg
POP ART, EPISODE 104: My Own Private Idaho/Chimes at Midnight
POP ART
1 hour 1 minute 40 seconds
2 years ago
POP ART, EPISODE 104: My Own Private Idaho/Chimes at Midnight

POP ART, WHERE WE FIND THE POP CULTURE IN ART AND THE ART IN POP CULTURE.

 

IT’S HARD TO BE THE BARD: Join me and filmmaker David Au (Eat With Me, Don’t Be Sorry), as we talk My Own Private Idaho and Chimes at Midnight, two adaptations of William Shakespeare’s Falstaff stories.

 

“I only have sex with a guy for money” What’s a father to do? You’re rich and powerful, maybe a king even—hey, it could happen; but your son, your heir, would rather become a male prostitute or hang out with some lazy ne’er do wells, drinking and bedding wenches. Sounds like it’s time for Episode 104 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie/foreign side of cinema with a connection to it. For this episode, I am happy to welcome back as my guest, filmmaker David Au, who has chosen as his film Gus Van Sant’s indie My Own Private Idaho, while I have chosen Orson Welles’ indie, Chimes at Midnight, both films that are based on some history plays by a guy named William Shakespeare.

 

And in this episode, we answer such questions as: What is it with adaptations of Shakespeare? What is the one scene in each film that helps the films achieve transcendence? What’s odd about the statue of the elk in Portland when the characters in …Idaho first arrive? Why did Welles have such a difficult time getting films made? Where can the director be seen in …Idaho? What do the titles mean? Why did Chimes at Midnight flop? What is the new queer cinema? What is historically incorrect about knights getting on their horses in Chimes at Midnight?

 

 

Check out David’s IMDB page at https://www.imdb.com/name/nm1614404/?ref_=nv_sr_srsg_5_tt_0_nm_8_q_david%2520au

 

And be on the lookout for his new short film Don’t Be Sorry

 

Check out my blog at https://howardcasner.wordpress.com/

 

My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

 

Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

POP ART
My guest will chose a movie from pop culture and I will chose a film from the art/classic side of cinema with some sort of connection and we will discuss both movies.